Electronotes Supplements:

S001	The Op-Amp In Electronic Music
S002	(unknown)
S003	(Philosophy of Electronic Music 2 - with EN#9: ‘1’ is in EN#6)
S004	(unknown)
S005	(unknown)
S006	(unknown)
S007	Digivox User's Guide
S008	(Hybrid Voltage-Controlled Digital Electronic Music Systems Considerations – with EN#16)
S009	Scales Of 1 To 49 Notes
S010	Starting To Use A Voltage-Controlled Electronic Music Synthesiser
S011	Cornell Musical Engineering Group
S012	Listening List Of Contemporary Music Of All Types
S013	Notes On Troubleshooting The ENS-73 In EN#28 - EN#37
S014	New Approaches To Analog Music Synthesis
S015	Transform Methods In Musical Engineering
S016	Laboratory Problems And Examples In Active, Voltage-Controlled And Delay Line Networks:
	Ch 1 Ideal Op-Amps and Basic Op-Amp Circuits
	Ch 2 Initial Experiments with Real Op-Amps
	Ch 3 s-Plane Analysis Techniques and Active Filters
	Ch 4 Characterization of Active Filter Responses
	Ch 5 Low-Pass Active Filter Examples and Experiments
	Ch 6 High-Pass, Band-Pass, All-Pass and Notch Filters
	Ch 7 State-Variable and Voltage-Controlled Filters
	Ch 8 Discrete-Time Filtering with Delay Line Networks
S017	Literature Evaluation LE-1 – LE-10
S018	TI-59 Program For Roots Of A Polynomial
S019	Log And Exponential (Antilog) Circuits

Theory and Practice of Musical Sound Synthesis:

TOPOMSS-Ch1	Introduction and Overview
TOPOMSS-Ch2a	Fourier Analysis of Waveforms (Part 1)
TOPOMSS-Ch2b	Fourier Analysis of Waveforms (Part 2)
TOPOMSS-Ch2c	Filtering (Part 1)
TOPOMSS-Ch2d	Filtering (Part 2)

AES Papers by Bernie Hutchins:

AES1	Experimental Electronic Music Devices Employing Walsh Functions
AES2	Application of a Real-Time Hadamard Transform Network to Sound Synthesis
AES3	The Frequency Modulation Spectrum of an Exponential Voltage-Controlled Oscillator